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Troubled Sleep

by Whitechapel

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1.
A member of the council found ancient scriptures carved in stone hidden deep below in the wisemen’s senate house. Old priests shudder in fear Hell in Earth will come for real. What they had found was the song of Prophet Josh. Fire, death and blood. The song tells the extinction of a civilization lost many centuries ago. Sun won’t be rising no more son. Infinite darkness is bound to come. Noah told Josh: “Ash is what we will become” “Find me room in the ground, somewhere I can rest my bones” “Bury me in the coal” Father, Son and Holy Ghost. Sun won’t be rising no more son. Infinite darkness is bound to come. “Knights, kings, ghouls and ghosts, ash is what you turned into” “Raven, cawing my song, Will you bury me below?” “Father, please hold on, can I have a last smoke?” Sun won’t be rising no more son. Infinite darkness is bound to come. Panic in crowded streets As the prophecy is revealed. Setting sun will show the end of life as it is known.
2.
Give in, fall and crawl. He swore to love you for real. Ill-treated out of spite. Hey babe, you deserve better. You deny what you feel. What’s the point in keeping still? What’s the point In taking pills? What’s the point? Drowsy eyelids, senses fading away. Reveries, Groans and moans. In trance, sore eyes and downcast. So now, what’s the score? No doubt, you deserve better. What’s the point in keeping still? What’s the point in ripping your wrists? What’s the point in drinking bleach? What’s the point? Now your senses slowly fade away. A cold breeze. A freezing breath. And that spark that no more shines. Your eyes are getting blind. A big blur. And then you realize your life is fading away.
3.
Pack all your stuff into the car. If you consent, we will be gone. I’ll keep driving all the night long. Let’s leave behind streetlights and smog. There’s no love. There’s no love. Run is the thing we better do. If we’re gone now, we are gone for good.
4.
Babe this is the end of the line. I feel wretched and there’s nothing I can do. No surprise you dumped me like this. Then you pushed me to become an underdog. No surprise that you changed your mind. Suddenly you realized that you were wrong. You have fucked around with my heart. (You) Shouldn’t expect no mercy from this heart of mine. Off you go. When love has wrecked and drowned. Off you go. I won’t see you no more. Off you go. (It’ll be) Better if you go home.
5.
I’ll pretend that you’re still around but it just won’t do. Babe I miss you (so) much. It drives me to despair. Your cold feet in bed. Your filthy dirty tricks. I’ll pretend that you’re still around but it just won’t do. Babe I miss you (so) much. It drives me to despair. The scent of cigarettes. The way you pulled my leg.
6.
Worth You 04:02
Every word that I have said was meant to hurt you. Every move that I have made Was meant to hurt you… … and it worked perfectly. ‘Cause sometimes I feel that I’m not worth you. Slowly slaughtering your heart. Searching your total collapse. I’m not worth you. ‘Cause sometimes I feel that I’m not worth you. Every second of it. Tears running down your cheeks. I’m not worth you. Every word that I have said was meant to hurt you… … and it worked perfectly. ‘Cause sometimes I feel that I’m not worth you. Slowly slaughtering your heart. Searching your total collapse. I’m not worth you. ‘Cause sometimes I feel that I’m not worth you. Every second of it. Tears running down your cheeks. I’m not worth you.
7.
Love Song 03:56
The words of my songs are the essence of love or so you do say, though I can’t see how. Don’t tell me I’d save your life with a love song. Ordinary guys that sing love songs score with white lies, so don’t get it wrong. The real thing is not made of pretty love songs. You fell in love with my songs. I made a fool of you. I lied my way into you.
8.
Clementine 00:36
9.
I’ve been severely drinking to death trying to erase your image from my head. But it’s no use and I’m afraid that you still have some explaining to do. No fucking way I’m doing this, but tonight I’ll let it go. I went to the pub by popular demand determined to do something I would regret. You were loaded and I turned a cynical smile whilst you were saying “You look awesome tonight” No fucking way I’m doing this, but tonight I’ll let it go. I know she’s not coming back. But this is a tale of woe. Yeah, I think I’ll let it go.
10.
Paper M 01:46
11.
It’s been a long long way up north. It’s been a long long way back home and you try to figure out whether the effort is worth. Light a cig and take a glance. Loath to admit it’s part of you. Bit by bit it comes back to you all the shit you have been through. Miners demonstrated on hunger strike. Dad was much too old and fired alike. Add injury to insult and keep your head down. Got tears, blood and sweat to get off the town. You were treated like dirt by boys at school. God only knows why kids are so cruel. You can dye your hair and buy new clothes. But you cannot hide from where you belong. Miners demonstrated on hunger strike. Dad was much too old and fired alike.
12.
It happens twice a day: I find her in my way. She’s a commuter girl Always waiting for her train. I get petrified while she moves ahead, gracefully waves her hair and disappears among the crowd. And I spend night and days daydreaming about her, guessing what her name could be or the tone of her voice. And I know this might sound foolish. Normally I don’t do this. Just as long as she there every morning then my joy will be complete. Oh, it’s so sweet. I try to synchronise when she arrives and departs, and cut in front of her to get a sight of all her face. Standstill pictures of glimpses I have caught is all I’ll ever had and I will keep it like that. And if you see me next to her I’ll be standing quietly. ‘Cause I don’t want to spoil the expectations I have on her. And don’t care (if) she doesn’t notice ‘cause it’s perfect the way it is. And if she ever gets to know me Then I’ll rather cut my veins. Oh, it’s insane. I try to synchronise when she arrives and departs, and cut in front of her to get a sight of all her face. Standstill pictures of glimpses I have caught is all I’ll ever had and I will keep it like that.
13.
Though this time I’ve learned not to take for granted stuff like love from you. And it serves me right: I fear I’ll hardly get well from these wounds. And I guess it’s your style: Hit in the back and run. Seasons may pass but you’ll never change your ways and you’ll be hopeless and lonely in the end. Admit it, loneliness is a sour brew to drink. You will see, loneliness is a sour brew to drink. The ground is gonna swift beneath your feet when you do realize that you are all alone and you will never be anymore by my side. And I guess that it’s fine, I love to spoil all the fun. Seasons may pass but you’ll never change your ways and you’ll be hopeless and lonely in the end. Admit it, loneliness is a sour brew to drink. You will see, loneliness is a sour brew to drink
14.
Untitled 05:24

about

La grabación del disco estuvo supeditada al hecho de que Pablo vive la mayoría del tiempo en Delaware. Esto supuso que el orden lógico de grabación se invirtiera: en vez de ser la voz lo último que se graba, se incluía después de las guitarras de guía. Normalmente se grababan dos guitarras principales y las voces se doblaban para que tuviesen más cuerpo y calidez. El disco empezó a grabarse en el estudio de Javi en diciembre de 2004, aunque “An Anthem for the Underground” es la misma toma de la primera maqueta, grabada en el verano de 2004. De las sesiones de diciembre salieron casi todas las canciones del disco, sólo con guitarras de guía y voces. Javi completó las canciones durante la primavera de 2005 en Sequentialee y en alguna de ellas colaboraron miembros de Jubilee y Limousine. “The Legend of the Death Valley” y “The City Doesn’t Love Us Anymore” se grabaron en su integridad en Sequentialee en el verano de 2005.

credits

released August 11, 2006

Pablo García Piñar: Voz.
Javier Cantudo Calzado: Guitarras, batería, y coros.

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Whitechapel Andújar, Spain

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